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http://dr.iiserpune.ac.in:8080/xmlui/handle/123456789/1095Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | SANCHETI, POOJA | en_US |
| dc.date.accessioned | 2018-07-04T03:46:05Z | |
| dc.date.available | 2018-07-04T03:46:05Z | |
| dc.date.issued | 2018-06 | en_US |
| dc.identifier.citation | Language, Literature, and Interdisciplinary Studies (LLIDS), 1(4). | en_US |
| dc.identifier.issn | 2475-0044 | en_US |
| dc.identifier.uri | http://dr.iiserpune.ac.in:8080/xmlui/handle/123456789/1095 | - |
| dc.identifier.uri | http://ellids.com/archives/2018/06/1.4-Sancheti.pdf | en_US |
| dc.description.abstract | While postmodernism never had1 a specific manifesto, it is usually identified with the following themes: contradiction, randomness, excess (Lodge); self-reflexiveness, metafiction, eclecticism, redundancy, multiplicity (McHale); discontinuity, intertextuality, parody, dissolution of character, erasure of boundaries, the destabilization of the reader (D’haen); pluralist, antireason, skeptical, resistant, interrogative, transgressive, highly self-conscious, and intertextual (Butler) | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Language, Literature, and Interdisciplinary Studies (LLIDS) | en_US |
| dc.subject | Postmodernist Poetics | en_US |
| dc.subject | Sexing the Cherry | en_US |
| dc.subject | TOC-JULY-2018 | en_US |
| dc.subject | 2018 | en_US |
| dc.title | Postmodernist Poetics in Jeanette Winterson’s Sexing the Cherry | en_US |
| dc.type | Article | en_US |
| dc.contributor.department | Dept. of Humanities and Social Sciences | en_US |
| dc.identifier.sourcetitle | Language | en_US |
| dc.publication.originofpublisher | Indian | en_US |
| Appears in Collections: | JOURNAL ARTICLES | |
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