Please use this identifier to cite or link to this item: http://dr.iiserpune.ac.in:8080/xmlui/handle/123456789/11464
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dc.contributor.authorRAO, DIVYAen_US
dc.contributor.authorKIZHAKOOT, DEVIKA BABUen_US
dc.contributor.authorKALRA, SHIKHAen_US
dc.contributor.authorSURI, HARINIen_US
dc.contributor.authorCHOROL, SONAMen_US
dc.contributor.authorRAJAN, RAGHAVen_US
dc.date.accessioned2026-09-01T04:07:42Z
dc.date.available2026-09-01T04:07:42Z
dc.date.issued2026-07en_US
dc.identifier.citationeNeuro, 13 (8).en_US
dc.identifier.issn2373-2822en_US
dc.identifier.urihttps://doi.org/10.1523/ENEURO.0199-25.2026en_US
dc.identifier.urihttp://dr.iiserpune.ac.in:8080/xmlui/handle/123456789/11464
dc.description.abstractMale zebra finches begin their song bouts by repeating a short sound called an introductory note (IN). As INs repeat, their timing and acoustic properties change, similar to premovement neural preparatory activity seen in primates and rodents. Hence, INs are thought to reflect motor preparation for starting song. However, INs themselves are vocalizations/movements, like the song that follows, suggesting that INs could be part of the song sequence. To determine how similar songs and INs are, we compared their properties in adult, male zebra finches recorded across 3 years. First, song and INs simultaneously changed in the first year post-hatch; as described earlier, songs became faster and we found an increase of 0.58 ± 0.07 in mean IN number. Second, as described earlier, IN properties changed from first to last IN. Here, we found that these changes were driven by the last IN becoming more like the first song syllable in duration, amplitude, and timing. Third, within each bout, first song syllable timing was correlated with last IN timing in only 18% of birds. Amplitude and mean frequency of the first song syllable was correlated not only with the last IN, but also with the first IN and second song syllable in >40% of birds. Finally, the reduction in gaps between successive INs was not seen in other types of repeat syllables. Overall, the acoustic similarities between INs and song suggest that INs are part of the song sequence, but timing differences suggest different mechanisms for controlling IN timing.en_US
dc.language.isoenen_US
dc.publisherSociety for Neuroscienceen_US
dc.subjectIntroductory notesen_US
dc.subjectMotor preparationen_US
dc.subjectNaturally learned movementsen_US
dc.subjectSong initiationen_US
dc.subjectSongbirden_US
dc.subjectZebra finchen_US
dc.subject2026-AUG-WEEK4en_US
dc.subjectTOC-AUG-2026en_US
dc.subject2026en_US
dc.titleZebra Finch Introductory Notes Become Song-Like But Have Different Timing and Acoustic Correlations with the Song That Followsen_US
dc.typeArticleen_US
dc.contributor.departmentDept. of Biologyen_US
dc.identifier.sourcetitleeNeuroen_US
dc.publication.originofpublisherForeignen_US
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