Postmodernist Poetics in Jeanette Winterson’s Sexing the Cherry

dc.contributor.author	SANCHETI, POOJA	en_US
dc.date.accessioned	2018-07-04T03:46:05Z
dc.date.available	2018-07-04T03:46:05Z
dc.date.issued	2018-06	en_US
dc.identifier.citation	Language, Literature, and Interdisciplinary Studies (LLIDS), 1(4).	en_US
dc.identifier.issn	2475-0044	en_US
dc.identifier.uri	http://dr.iiserpune.ac.in:8080/xmlui/handle/123456789/1095
dc.identifier.uri	http://ellids.com/archives/2018/06/1.4-Sancheti.pdf	en_US
dc.description.abstract	While postmodernism never had1 a specific manifesto, it is usually identified with the following themes: contradiction, randomness, excess (Lodge); self-reflexiveness, metafiction, eclecticism, redundancy, multiplicity (McHale); discontinuity, intertextuality, parody, dissolution of character, erasure of boundaries, the destabilization of the reader (D’haen); pluralist, antireason, skeptical, resistant, interrogative, transgressive, highly self-conscious, and intertextual (Butler)	en_US
dc.language.iso	en	en_US
dc.publisher	Language, Literature, and Interdisciplinary Studies (LLIDS)	en_US
dc.subject	Postmodernist Poetics	en_US
dc.subject	Sexing the Cherry	en_US
dc.subject	TOC-JULY-2018	en_US
dc.subject	2018	en_US
dc.title	Postmodernist Poetics in Jeanette Winterson’s Sexing the Cherry	en_US
dc.type	Article	en_US
dc.contributor.department	Dept. of Humanities and Social Sciences	en_US
dc.identifier.sourcetitle	Language	en_US
dc.publication.originofpublisher	Indian	en_US